“MOVIE CLOCK - Times Union” plus 3 more

MOVIE CLOCK - Times Union
Good movie? You bet - Los Angeles Times
Movie Schedule - Arizona Daily Star
Movie hopefuls queue up in Waikiki - Honolulu Advertiser

Posted: 25 Apr 2010 01:55 AM PDT

'Hyde after Dark' returns at 5:30 p.m. Thursday

The Hyde Collection will hold its next "Hyde after Dark" event at 5:30 p.m. Thursday, at the museum in Glens Falls.

The after-hours mixer, which debuted last spring, offers music, socializing and art. This month's event will showcase the 19th Annual Regional Juried High School Art Exhibition, which runs through May 23. The evening will also feature live music by Rich Ortiz, light appetizers and a beer and wine bar. The event is sponsored by Davidson Brothers Brewery and Restaurant and the Adirondack Regional Chamber of Commerce Young Professionals Organization.

Tickets are $12 for members and $15 general admission.

For information, call 792-1761, Ext. 23, or go to http://www.hydecollection.org.

Music and politics to mix at Eighth Step

Political singer-songwriter-guitarists Anne Feeney, Roy Zimmerman and Evan Greer will come together for an evening of pointed political satire, with alliterative lyrics at 7:30 p.m. Friday at Eighth Step at Proctors, 432 State St., Schenectady.

Award-winning Pittsburgh-based agitator Feeney has performed at thousands of rallies, picketlines and demonstrations, using her song bag that draws on Irish, bluegrass, traditional, labor, pop, folk and contemporary material.

A founding member of the now-defunct satirical group "The Foremen," who has been writing satirical songs for more than 20 years, Zimmerman has shared the stage with George Carlin, Bill Maher and Dennis Miller. His topical songs are featured on American Public Media's syndicated broadcast "Weekend America" and Sirius Radio's "West Coast Live."

Greer's fiercely radical acoustic songs range from pop-punk to foot-stomping bluegrass. He is a founding member of the Riot-Folk! Collective, a group of radical musicians for social change. His high-energy acoustic songs have been featured on NPR, recorded by well-known artists and used in high school and college courses.

Tickets are $22. For information, call 434-1703 or go to http://www.proctors.org.

Hubbard Hall to hold annual plant sale

The Hubbard Hall Annual Perennial Sale will be held from 9 a.m. to noon, or until everything is sold, on Saturday, at 25 E. Main St. in Cambridge.

The sale offers sturdy and freshly dug perennials known to thrive in this area, shrubs, herbaceous plants and bulbs, and tips from knowledgeable gardeners.

Anyone who donates plants to the sale will be invited to begin shopping an hour earlier than the general public. Donations, which should be labeled clearly and accurately, can be dropped off at the hall after 7 a.m. Friday and Saturday. Donors can also arrange to have their plants picked up by calling Bliss McIntosh at 677-3151.

For information, call 677-2495 or go to http://www.hubbardhall.org.

Grants available through Preserve New York

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Good movie? You bet - Los Angeles Times

Posted: 25 Apr 2010 01:19 AM PDT

With Congress poised to crack down on reckless risk-taking by banks and Wall Street, it's not the best time to be introducing new ways for speculators to conjure profits out of thin air. Yet that's what Cantor Futures Exchanges and Media Derivatives want to do, by creating exchanges where people can bet on the performance of new Hollywood movies. Their proposals, which have received a preliminary blessing from federal regulators, have drawn stiff opposition from much of the film industry. And although it's hard to take the studios' warnings about financial shenanigans seriously — after all, Hollywood is known for its creative accounting — they have a point.

Cantor, a subsidiary of the Wall Street brokerage firm Cantor Fitzgerald, and Media Derivatives, an initiative from Arizona-based Veriana Ventures, both want to sell a type of financial derivative called a futures contract for Hollywood's coming attractions. The price of each contract would be negotiated through the exchange by buyers and sellers before the specific film is released, but the ultimate value would be determined by the movie's domestic ticket sales — just for opening weekend in the case of Media Derivatives, or for four weeks of wide release in Cantor's case. Each $1 million in box-office revenue would translate into $1 in contract value. Thus, if a movie sold $39 million worth of tickets in the U.S. and Canada during the relevant time period, the contract would be worth $39.

The idea is to give people a way to make an investment in how well a film will perform in theaters. Those who sign on as buyers are betting that it will do better than the market expects, while those who agree to sell are betting it won't. For example, a Cantor contract for a film attracting a lot of buzz might be priced at $80. If its box office is a boffo $120 million in its first four weeks, those who had agreed to buy at $80 will make $40 — a 50% return on their investment. But those who'd agreed to sell will lose heavily, because each contract they've agreed to sell for $80 will actually be worth — and therefore will cost them — $120. On the other hand, if the movie flops and garners only $40 million in ticket sales, the results will be reversed, with buyers losing and sellers winning.

In theory, these contracts could function as insurance policies for studios, filmmakers and others whose livelihoods depend on a movie's success. Those insiders could spend a certain amount to buy contracts that would compensate them if one of their films flopped, effectively limiting their losses. If the film succeeded, they would share part of the profits with the parties who took the other side of the bet. And in Media Derivatives' offerings, which are aimed at more sophisticated investors than Cantor's derivatives, they could spend a fixed amount to limit potential losses, which would also cap the amount of profits shared if the film did better than expected.

So why do the Motion Picture Assn. of America, the Directors Guild of America and the union representing crew members oppose the exchanges so fiercely? Because they're afraid the futures contracts would create powerful incentives for people to try to manipulate box-office results. For the first time, people with no stake in a film could be rewarded financially if it bombs. And futures contracts that sell poorly threaten to become self-fulfilling prophecies, as the news media spreads the word that "the market" expects a film to tank. These are scary thoughts for an industry whose grip over a movie's image is already being weakened by Twitter, Facebook and other powerful forces on the Net.

What's worse, though, is the risk that insiders would take advantage of their position to make sure their futures bets pay off. They don't have to try to make a flop, a la "The Producers"; they merely have to be able to affect the outcome in ways that buyers of futures contracts won't discover until it's too late. The MPAA itself suggested a variety of hard-to-detect manipulations, such as reporting bogus box-office receipts, making last-minute changes in marketing budgets or altering the number of theaters receiving the film.

Cantor and Media Derivatives executives contend that they've designed their systems to protect against such manipulation. One problem they can't overcome, though, is the huge information disparity between industry insiders and everyone else. It's hard to predict hits and misses, but those who have worked on a film and have seen the finished product have a better idea of how realistic the box-office projections are. That sort of disparity breeds distrust, raising the chances that neither of the exchanges will attract much business. And unless they attract millions of customers, their contracts won't generate enough money to insure filmmakers seeking to hedge multimillion-dollar bets. Not that studios, producers or directors would be eager to place large bets against their own work — there's too much risk of bad publicity.

There's also a fundamental difference between a futures contract on, say, gasoline prices and one on a movie. Paul Glasserman, an expert on derivatives at Columbia Business School, notes that both buyers and sellers of gasoline futures have legitimate risk-management motives. A buyer (such as a trucking fleet) might worry about prices rising, while a seller (such as an oil company) might want to keep them from dropping sharply. But there's no such symmetry in movie futures, in which investors trying to hedge their bets on a film will have to rely on speculators to shoulder the risk.

The Commodities Futures Trading Commission approved the proposed movie exchanges this month, but it withheld judgment until later this year on the specific futures contracts that Cantor and Media Derivatives want to offer. Congress may intervene before then; on Wednesday, the Senate Agriculture Committee approved a derivatives regulation bill that, if passed and signed by President Obama, would ban futures contracts based on box-office receipts.

Considering the incentives for manipulation, the imbalance in important information and the impracticality of the exchanges as a way to hedge investments by studios and producers, the proposals from Cantor and Media Derivatives seem far more likely to boost speculation than attract the capital needed to produce more films. And the last thing the financial industry needs is innovative ways to attract more speculators.

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Movie Schedule - Arizona Daily Star

Posted: 24 Apr 2010 11:53 PM PDT

Century El Con 20*

3601 E. Broadway

1-800-FANDANGO (326-3264), Ext. 902

Back-up Plan (PG-13) - 11:40, 1, 2:25, 3:35, 5:05, 6:20, 7:50, 9, 10:25.

Clash of the Titans (PG-13) - 11:55, 2:35, 3:20, 5:20, 6:15, 8:10, 8:55, 10:50.

Clash of the Titans 3D (PG-13) - 11:20, 4:40, 7:25, 10:15.

Date Night (PG-13) - 11:15, 11:50, 12:35, 1:30, 2:05, 2:55, 3:45, 4:25, 5:10, 6, 6:45, 7:30, 8:20, 9:05, 9:55, 10:40.

Death at a Funeral (R) - 12:15, 2:40, 5:15, 7:35, 10.

Hot Tub Time Machine (R) - 12:30, 3, 5:30, 8, 10:30.

How to Train Your Dragon (PG) - 12:45, 3:15, 5:45, 8:15, 10:45.

How to Train Your Dragon 3D (PG) - 11:45, 2:10, 4:45, 7:15, 9:40.

Joneses (R) - 12:40.

Kenny Chesney: Summer in 3D (NR) - 2.

Kick-Ass (R) - 11:25, 12:20, 1:15, 2:15, 3:10, 4:05, 5:05, 6, 7, 7:55, 8:50, 9:50, 10:45.

Last Song (PG) - 11:35, 2:20, 5, 7:40, 10:20.

Losers (PG-13) - 11:15, noon, 1:45, 2:50, 4:15, 5:20, 6:45, 7:45, 9:15, 10:35.

Oceans (G) - 12:15, 2:30, 4:45, 7, 9:15.

Runaways (R) - 12:05, 2:45, 5:25, 8:05, 10:40.

Century Gateway 12*

770 N. Kolb Road

1-800-FANDANGO (326-3264), Ext. 962

Avatar (PG-13) - 12:15, 3:40, 7:10.

Book of Eli (R) - 12:50, 3:30, 7:25.

Crazies (R) - 12:35, 3:05, 5:30, 7:55.

Crazy Heart (R) - noon, 2:35, 5:10, 7:45.

Our Family Wedding (PG-13) - 12:40, 3, 5:20, 7:40.

Percy Jackson & the Olympians: The Lightning Thief (PG) - 12:45, 3:25, 7:05.

Remember Me (PG-13) - noon, 2:40, 5:15, 7:50.

Sherlock Holmes (PG-13) - 12:25, 3:35, 7:15.

Spy Next Door (PG) - 12:10, 2:25, 4:40, 7:20.

Tooth Fairy (PG) - 12:05, 2:30, 4:55, 7:30.

Valentine's Day (PG-13) - 12:30, 3:20, 7.

Wolfman (R) - 12:20, 2:45, 5:10, 7:35.

Century Marketplace*

12155 N. Oracle Road, at the Oro Valley Marketplace

1-800-FANDANGO (326-3264), Ext. 899

Back-up Plan (PG-13) - 11:20, 1:55, 4:30, 7:05, 9:40.

Clash of the Titans (PG-13) - 11, 12:15, 1:40, 3, 4:15, 5:40, 6:55, 8:20, 9:35.

Date Night (PG-13) - 12:20, 2:45, 5:10, 7:35, 9:55.

Death at a Funeral (R) - 12:30, 2:55, 5:20, 7:45, 10:15.

Ghost Writer (PG-13) - 12:55, 3:50, 6:50, 9:50.

How to Train Your Dragon (PG) - 10:30, 1:05, 3:35, 6:05, 8:35.

How to Train Your Dragon 3D (PG) - 11:45, 2:20, 4:50, 7:20, 9:45.

Kick-Ass (R) - 10:40, 1:30, 4:20, 7:10, 10.

Last Song (PG) - 11:10, 2, 4:45, 7:30, 10:10.

Losers (PG-13) - 11:40, 2:15, 4:55, 7:25, 9:55.

Oceans (G) - 11:15, 1:50, 4:25, 7, 9:30.

Century Park 16*

1055 W. Grant Road

1-800-FANDANGO (326-3264), Ext. 901

Alice in Wonderland (PG) - 1:30, 4:05, 6:40.

Back-up Plan (PG-13) - 12:20, 2:50, 5:25, 7:55.

Bounty Hunter (PG-13) - 2, 4:45, 7:20.

Clash of the Titans (PG-13) - 11:55, 2:30, 5:10, 7:45.

Date Night (PG-13) - 12:30, 2:45, 5, 7:15.

Death at a Funeral (R) - 12:35, 2:55, 5:20, 7:40.

Diary of a Wimpy Kid (PG) - noon, 2:20, 4:40, 7.

Hot Tub Time Machine (R) - 12:15, 2:40, 5:05, 7:30.

How to Train Your Dragon (PG) - 12:10, 1:20, 2:35, 3:45, 5, 6:15, 7:25.

Kick-Ass (R) - 2, 4:50, 7:35.

Last Song (PG) - 1:55, 4:30, 7:05.

Losers (PG-13) - 11:50, 2:15, 4:40, 7:10.

Perfect Game (PG) - 2:10, 4:55, 7:40.

Shutter Island (R) - 12:55, 4, 7:10.

Tyler Perry's Why Did I Get Married Too? (PG-13) - 1:15, 4:05, 6:55.

Century Park Place 20*

5870 E. Broadway

1-800-FANDANGO (326-3264), Ext. 903

Alice in Wonderland (PG) - 11:30, 2:10, 4:50, 7:30, 10:05.

Alice in Wonderland 3D (PG) - 10:10.

Back-up Plan (PG-13) - 10:20, 11:40, 1, 2:20, 3:40, 5, 6:20, 7:40, 9, 10:20.

Bounty Hunter (PG-13) - 1:55, 7:25.

Clash of the Titans (PG-13) - 10:30, 12:20, 1:15, 3:05, 4, 5:50, 6:35, 8:35, 9:20.

Clash of the Titans 3D (PG-13) - 11:25, 2:05, 4:55, 7:05, 7:45, 9:55, 10:30.

Date Night (PG-13) - 10:25, 11:35, 12:45, 2, 3:10, 4:20, 5:25, 6:50, 7:50, 9:05, 10:15.

Death at a Funeral (R) - 10:40, 1:05, 3:25, 5:45, 8:05, 10:25.

Hot Tub Time Machine (R) - 11:10, 4:40, 10:25.

How to Train Your Dragon (PG) - 12:05, 2:35, 5:05, 7:35, 10.

How to Train Your Dragon 3D (PG) - 10:50, 1:20, 3:50, 6:25, 8:50.

Kenny Chesney: Summer in 3D (NR) - 2.

Kick-Ass (R) - 10:15, 11:15, 12:10, 1:10, 2:15, 3:15, 4:10, 5:10, 6:15, 7:15, 8:15, 9:10, 10:10.

Last Song (PG) - 1:25, 7:10.

Losers (PG-13) - 10:05, 11:20, 12:30, 1:45, 3, 4:15, 5:30, 6:45, 8, 9:25, 10:30.

Oceans (G) - 12:15, 2:30, 4:45, 7, 9:15.

Tyler Perry's Why Did I Get Married Too? (PG-13) - 10:35, 4:05, 9:50.

Crossroads*

4811 E. Grant Road

327-7067

Avatar (PG-13) - noon, 3:20, 6:40, 9:10.

Book of Eli (R) - 9:55.

Crazy Heart (R) - 11:30, 2:10, 4:40, 7:10, 9:40.

It's Complicated (R) - 4:15.

Last Station (R) - 12:20, 5:05.

Percy Jackson & the Olympians (PG) - 11:15, 1:50, 4:25, 7, 9:35.

Remember Me (PG-13) - 2:30, 7:20, 9:50.

Tooth Fairy (PG) - 12:10.

Young Victoria (PG) - 11:45, 2, 6:50.

Foothills*

7401 N. La Cholla Blvd.

1-888-AMC-4FUN

Alice in Wonderland (PG) - 11, 1:30, 4, 7:20.

Back-up Plan (PG-13) - 11:55, 2:30, 5:10, 7:45, 10:15.

Bounty Hunter (PG-13) - 11:45, 2:20, 5, 7:35, 10:10.

Clash of the Titans (PG-13) - 10:30, 3:30, 5:55, 8:30, 11.

Clash of the Titans 3D (PG-13) - 11:30, 4:30, 7, 9:30.

Date Night (PG-13) - 10:45, 11:40, 1:15, 2:15, 3:40, 4:45, 5:50, 7:10, 8:10, 9:25, 10:30.

Death at a Funeral (R) - 10:25, 12:45, 3:05, 5:20, 7:50, 10:05.

Hot Tub Time Machine (R) - 9:50.

How to Train Your Dragon (PG) - 10:30, 12:50, 3:10, 5:40, 8, 10:25.

How to Train Your Dragon 3D (PG) - 11:25, 1:50, 4:15, 6:45, 9:15.

Kenny Chesney: Summer in 3D (NR) - 2.

Kick-Ass (R) - 10:50, 11:50, 1:45, 2:45, 4:25, 5:30, 7:15, 8:15, 9:55, 10:55.

Last Song (PG) - 11:15, 1:40, 4:05, 7:05, 9:35.

Letters to God (PG) - 12:55.

Losers (PG-13) - 10:35, 12:55, 3:15, 5:35, 8, 10:20.

Oceans (G) - 10, 12:30, 3, 5:15, 7:30, 9:45.

Harkins Spectrum*

5455 S. Calle Santa Cruz

806-4275 Ext. 843

Back-up Plan (PG-13) - 11:10, 12:10, 1:50, 2:50, 4:30, 5:30, 7:10, 8:10, 9:50, 10:50.

Bounty Hunter (PG-13) - 7:25, 10:15.

Clash of the Titans (PG-13) - 10:30, 1:10, 3:50, 6:30, 9:10.

Clash of the Titans 3D (PG-13) - 11:30, 4:50, 7:30, 10:10.

Date Night (PG-13) - 10:05, 12:25, 2:45, 5:15, 7:40, 10:05.

Death at a Funeral (R) - 10:45, 11:45, 1:15, 2:15, 3:45, 4:45, 6:15, 7:15, 8:45, 9:45.

Diary of a Wimpy Kid (PG) - 10:55, 1:25, 3:55, 6:20, 9.

Hot Tub Time Machine (R) - 11:50, 5:10, 10:30.

How to Train Your Dragon (PG) - 10:20, 12:50, 3:20, 5:50, 8:20, 10:45.

How to Train Your Dragon 3D (PG) - 11:20, 1:45, 4:20, 6:50, 9:20.

Human Experience (NR) - 11:05, 1:30, 3:40, 6:05, 8:25, 10:45.

Kenny Chesney: Summer in 3D (NR) - 2.

Kick-Ass (R) - 10:15, 11:15, 1:10, 2:10, 4:05, 5:05, 6:50, 7:50, 9:55, 10:40.

Last Song (PG) - 10:10, 12:45, 3:30, 6:10, 8:55.

Losers (PG-13) - 11:40, 2, 4:25, 7, 9:30.

Oceans (G) - 10, 12:20, 2:40, 5, 7:20, 9:40.

Perfect Game (PG) - 11, 1:55, 4:40.

Tyler Perry's Why Did I Get Married Too? (PG-13) - 2:20, 7:45.

Loft*

3233 E. Speedway

795-7777

Art of the Steal (NR) - 11:45, 7:45.

Girl With the Dragon Tattoo (NR) - 12:30, 3:45, 7.

Mother (R) - 2, 10.

Red Shoes (NR) - 4:45.

Spike & Mike Present New Generation Animation (NR) - 10.

Oracle View

4690 N. Oracle Road

292-2430

Alvin and the Chimpmunks: The Squeakquel (PG) - 12:20.

Avatar (PG-13) - noon, 2, 5;30, 7:30, 9.

Book of Eli (R) - 4:50, 7:20, 9:50.

Cop Out (R) - 12:10, 2:30.

Dear John (PG-13) - 5, 9:45.

Green Zone (R) - 4:30.

Sherlock Holmes (PG-13) - 12:45, 3:45, 6:40, 9:30.

Tooth Fairy (PG) - 11:50, 3:15, 5:15.

Valentine's Day (PG-13) - 2:20, 7:10.

Wolfman (R) - 11:50, 2:10, 7, 9:20.

Tower Theatres*

8031 N. Business Park Drive, Marana

579-0500

Back-up Plan (PG-13) - 11:50, 2:15, 4:40, 7:05, 9:30.

Bounty Hunter (PG-13) - 2:30, 7:10.

Clash of the Titans (PG-13) - 11:15, 1:40, 4, 6:20, 8:40.

Clash of the Titans 3D (PG-13) - 11:40, 5, 7:25, 9:50.

Date Night (PG-13) - 11:10, 1:15, 3:25, 5:25, 6:40, 7:35, 8:45, 9:40.

Death at a Funeral (R) - 11:20, 1:25, 3:35, 5:45, 7:50, 10.

Diary of a Wimpy Kid (PG) - 12:05, 2:10, 4:30.

Hot Tub Time Machine (R) - 12:15, 4:55, 9:40.

How to Train Your Dragon (PG) - 11, 1:20, 3:40, 6, 8:25.

How to Train Your Dragon 3D (PG) - 11:50, 2:20, 4:50, 7:15, 9:45.

Kenny Chesney: Summer in 3D (NR) - 2.

Kick-Ass (R) - 11:25, 2, 4:45, 7:20, 10.

Last Song (PG) - 11:45, 2:05, 4:35, 7, 9:25.

Losers (PG-13) - 10:55, 1:10, 3:20, 5:30, 7:40, 9:55.

Desert Sky Cinema*

70 W. Duval Mine Road, Sahuarita

393-1222

Back-up Plan (PG-13) - 2:15, 4:15, 7:15.

Date Night (PG-13) - 2, 4, 7.

How to Train Your Dragon 3D (PG) - 2:15, 4:30, 7:15.

Kick-Ass (R) - 2, 4:30, 7.

Last Song (PG) - 7.

Letters to God (PG) - 2, 4:30.

Losers (PG-13) - 2:15, 4:15, 7:15.

Oasis Cinema

240 W. Roper Road, Nogales AZ

1-520-761-1777

Back-up Plan (PG-13) - 12:30, 4, 7:30.

Clash of the Titans (PG-13) - 12:15, 3:45, 7:15.

Date Night (PG-13) - 1:15, 4:45, 8:15.

Death at a Funeral (R) - 12:45, 4:15, 7:45.

How to Train Your Dragon (PG) - noon, 3:30, 7.

Kick-Ass (R) - 12:15, 3:45, 7:15.

Last Song (PG) - 12:45, 4:15, 7:45.

Losers (PG-13) - 1, 4:30, 8.

Perfect Game (PG) - noon, 3:30, 7.

Cinemark 10*

2175 El Mercado Loop, Sierra Vista

1-520-458-1980

Clash of the Titans (PG-13) - 12:10, 1:05, 1:55, 2:50, 3:45, 4:35, 5:30, 6:25, 7:15.

Date Night (PG-13) - noon, 2:30, 5, 7:20.

Death at a Funeral (R) - 11:30, 2:10, 4:50, 7:30.

Hot Tub Time Machine (R) - 12:15, 2:40, 5:10, 7:40.

How to Train Your Dragon (PG) - 1:10, 3:50, 6:20.

How to Train Your Dragon 3D (PG) - 11:45, 2:20, 4:55, 7:25.

Last Song (PG) - 11:35, 2:15, 5:05, 7:35.

Losers (PG-13) - 12:30, 3, 5:25, 7:50.

Uptown Theatre*

4341 S. State Highway 92, Sierra Vista

1-520-378-2858

Back-up Plan (PG-13) - 12:55, 3:55, 6:55.

Bounty Hunter (PG-13) - 3:55.

Diary of a Wimpy Kid (PG) - 12:55, 6:55.

Kick-Ass (R) - 12:45, 3:45, 6:45.

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Movie hopefuls queue up in Waikiki - Honolulu Advertiser

Posted: 25 Apr 2010 02:23 AM PDT

Dozens lined up at the Waikiki Community Center Saturday morning hoping to be picked as extras in the next "Pirates of the Carribean" movie.

The film is scheduled to begin shooting in Hawaii starting in June for a May 2011 release.

Casting agent Sande Akessi is seeking extras with bulging eyes, large noses and gaunt appearances to play the parts of pirates in the film.

"I would really love an albino," Alessi said last week. The filmmakers are looking for men age 18 to 60 of all ethnicities to act as pirates and sailors of two to three ships.

Johnny Depp will again star in the "Pirates" film, the fourth in the series. Filming will take place on O'ahu and possibly on Kaua'i.

The casting call continues through 4 p.m. Saturday at the Waikiki Community Center, 310 Paoakalani Ave., in Waikiki.

On Sunday, the casting call resumes at 10 a.m. through 4 p.m. at the Kauai War Memorial Convention Hall, 4191 Hardy Street, in Lihue.

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